I’m sure you guys know, I’ve talked about this a few times in my weekly e-letter (see the sign up box on this page).

We even had a full chapter on it, in the book “Great Leads,” which I wrote with copy mentoring great, Michael Masterson.

(I swear to you — it’s *finally* going up on Amazon.com, sometime this week. I’ll get you a link as soon as there’s one available.)

I had a great time doing the interview. Enough that I kept thinking of things I wanted to add, long after finishing the call.

I’d just come across a few great tips, for instance, from a semi-surprising source (though not so surprising when you think about it): Matt Stone and Trey Parker, creators of the cartoon South Park.

Parker and Stone popped in on a freshman writing class at NYU –where yours truly also studied some screenwriting — to talk for a few minutes about how they keep their story ideas compelling.

One secret they offer is… get yourself a deadline. A hard, serious one that drives you. Stone and Parker write an episode per week. “We’ve got a scary deadline every Thursday morning.”

Another tip I’m sure you’ve heard before, which is to put your ideas out there quickly. Don’t wait until they’re fully baked. And when they get out there, make sure you’ve got a roomful of critics who understand they need shaping, rather than critics who will just shoot the idea down.

First ideas are rarely amazing.

And here’s the tip I like best. When you’re writing out a story to sell, to tell, or whatever… look for what writers call the “story beats.”

These are the spots where you plot twists and turns, the angles on which you frame an outline.

Once you have those beats, read through and see if you can put the phrase “and then” between each beat.

If you can… that’s a problem. Every “and then” is a moment where you could lose your reader (or viewer) to some distraction.

Better is writing that turns on the phrases “therefore” or “but.” That is, every moment in the story either forces the next one, creating continuity, or flips away from the last “beat” in a way that creates tension.

In selling, the stories you’re telling are usually short, just long enough to illustrate an idea or sneak in a proof or promise.

But this is a good way to think about your copy throughout, too. That is, is your sales letter just one long string of disconnected sales points? Or does it follow a flow that your reader can’t swim against?

And just when they think they know where you’re headed, are you waking them back up with a rhetorical explosion or “twist” of their expectations?

Something worth thinking about.

©2012 "Learn to Sell or Else...". All Rights Reserved.

And yet, like a plump uncle, the customers sidle up to the table for more. Should we give it to ‘em?

Sure, why not.

Without further ado — and all the microwaved gravy you can stand — please enjoy the second half of our “14 Ways to Thank Your Customers Like You Mean It” article from last week.

(And numbered accordingly…)

8 ) THANK-YOU “COUPONS” FOR THE NEXT PURCHASE – Okay, this one is a little self-serving, you might say. Your customer places and order and what’s his prize? Other than your excellent product, he also gets an offer for the next great deal.

Maybe it’s a half-off future purchases, maybe a break for his friends and family, maybe an invitation to get a free “refill” of some kind or some kind of free servicing agreement.

This, of course, encourages them to come back to you again. But it could also help them feel good — justifiably so — about being loyal to a company that believes in its own product (and why wouldn’t you?)

9) THROW IN FREE SHIPPING - Awhile back, my wife signed up for “Amazon Prime,” the club-like service from Amazon.com that gets you free shipping.

It’s a great deal if you shop a lot online (we do). And it always feels like a “thank you” reward, even though we pay to have that perk.

But even more importantly, guess where she goes first now for most of our online shopping? Testing by other businesses too also show that “free shipping” is a powerful addition to offers.

Even better, try a phrase like, “As my way of saying thank you, I’ll even cover your shipping costs. You’ll pay nothing.”

10) MAKE IT PERSONAL – If you’re open to giving a big discount anyway, why not ‘translate’ the savings into a thoughtful thank you gift?

That is, instead of mentioning the discounted sales price, offer the lower price plus a gift of equal value. Depending on what you’re selling, that could be anything.

A small gift basket with a thank you note, a bag of gourmet coffee, a corkscrew in a fancy case, or something else that matters to your prospect.

If it’s a really big-ticket item or you have a small but big-spendin’ client base, you could make the gift even nicer or more personal.

I recently read a note about a real estate broker who gave a house buyer some fine wine glasses. He says the realtors name comes up — and gets praised — every time he and his wife have friends over for dinner.

(For an even more complete example of this idea at work, see today’s “Second CR” article later in this issue.)

11) THANK THEM PUBLICLY – I don’t know what it is about the human animal, but we do crave our fame.

So why not give weight to a thank you by doing it publicly? Honor loyal customers on your website, honor success stories that feature your product, and just brag generally about your customers like you like them (as you should).

Try posting video interviews of customers on your website, feature them in ads, and just generally be proud like a parent, hanging their proverbial ‘work’ on your public refrigerator.

12) SURVEY WITH CARE – If you’ve read past CR issues, you know I’m not crazy about customer surveys.

They have their uses, for sure. But they’re often as confusing as they are useful, especially when the questions are written poorly.

However, there IS a way to send your customer base a survey that can make them better customers.

How? Simply by making it clear the survey is not about how to make them buy better, but how to give them a better product or service to enjoy.

In short, show you care. And follow up on that display, when you can, by finding the prospects that reply with unsolved problems… and solve them.

13) INVITE THEM OVER – Here’s an interesting way to “thank” loyal customers. Find out who they are and invite some of them over, specifically to celebrate their loyalty. Done right, there’s a good chance they’ll buy from you again. But the pictures you take at the event and post online could help show other prospects what a friendly business you are.

14) GET THEIR BACKS – In times of urgency that relates to your product, like say a financial meltdown or anything else newsy, put together a timely “summit” of your house experts.

Then record what they talk about and give it to customers out of the blue. Make it a surprise, to show you’re looking out for them and anticipating their questions and concerns.

You could tailor this idea for just about any kind of information product and plenty that aren’t.

And one more…

Bonus Idea – GIVE THEM WHAT THEY PAID FOR+ – What business would purposely deliver less than they sold? Sadly, plenty. And that’s partly why new customers are often a tough sell… because they’ve been jaded before.

But what better way to thank your customers for doing business with you… than by insisting on doing business with them at the highest quality level?

It’s the deal we make when offer something to somebody and ask for money in return. Better still if you can over-deliver.

So there you go.

Do these things or even some of them, and you could end up with some seriously grateful customers.

And isn’t that where you want to be?

©2012 "Learn to Sell or Else...". All Rights Reserved.

Yes, it’s Thanksgiving week, where my American compatriots are prepping to stuff turkeys, stuff themselves, and welcome family and friends into their homes.

And while we’re at it, why not take the opportunity to talk about another kind of ‘thanks giving’ in this week’s CR — the thanks you should be giving your customers for, well, being your customers.

Why thank customers?

The short answer, of course, is “why not?” Unless you were raised by wolverines, it’s a common courtesy you’re proud to offer… am I right?

The longer answer is that it’s practically money in the bank for future business, because customers that feel warm and fuzzy come back tenfold for more (give or take a fold or three).

So, in the spirit of the season, let me give you at 14 ways to make your customers feel appreciated.

We’ll start with these seven…

1) SEND A NOTE – I once dated a girl who sent thank you cards almost as automatically as breathing. I swear to you, the girl would pen notes of gratitude in the car, as we pulled out of driveways from dinner parties. “Because that’s what you’re supposed to do,” she would explain.

Why not do the same for your customers? Not in the perfunctory, here’s an auto-reply “thanks for your order” email (which you should also probably do) but an actual note that gets mailed as a stand alone message. “I just wanted to thank you personally,” says the owner of the business in the card, “for giving our [specific product name] a try. Welcome on board and please enjoy.”

2) MAKE IT A B-DAY CARD – There’s a story I’ve heard floating around, about the world’s best car salesman. Seems he took the time to note the birthdays of all his past customers. And every year, he would send a birthday card.

No cloaked sales messages, no ‘special inventory’ hype… just the birthday greeting. And he personally signed each card.

Result? He had a referral business like you wouldn’t believe. Not to mention customers that came back to him over and over again when it was time to buy a newer model.

These days, I get lots of automated B-Day wishes from online sources. And admittedly, it loses it’s specialness when it’s a computer sending it automatically. But even then, I admit, it feels at least a little flattering to be remembered.

3) GIVE A JUMPSTART - When your customer comes on board, what’s the first thing he gets? If it’s the product, that might be fine. But consider, you’ll have an even happier customer if he knows how to use what you’ve just sold him.

What more considerate way to make sure he can do that than by ‘thanking’ him with a simple well-guided tour around what he just purchased?

Maybe it’s a ‘user’s manual’ or maybe it’s an online video that walks through the steps. Maybe it’s just a brainstormed presentation on ways to use the product he might not be aware of.

Bottom line is, this kind of thorough start-up advice not only helps but back on early cancellations, but it also gives prospects that warm and welcoming feeling you’re hoping for.

4) GO “GINSU” AND GIVE MORE – I’m sure you know the “but wait there’s more” line from the “Ginsu Knife” commercials. To thank you for buying the knives, the sellers kept throwing in gifts.

If you weren’t spurred to action early, the extra bonuses would help seal the deal. Or so was the intent.

But imagine how grateful the buyer was every time he used one of those extra gadgets (I’m assuming they worked). “And,” he reminds himself, “I got this thing for free!”

5) SURPRISE ‘EM - What’s better than the gift that comes with your order? How about the gift you weren’t expecting.

If you bank on repeat business, thank a customer with a little extra, unannounced somethin’-somethin’ that shows up not too long after the actual product gets delivered or starts arriving (if, say, it’s a subscription product).

By the way, gifts to subscribers don’t HAVE to be high end. In the days of easy info delivery, a helpful e-book or the like can be a great way to deliver value on their end while keeping costs low on yours.

Along these same lines…

6) DELIVER 11th HOUR “TWIST” ON THE DEAL - Try making a customer feel appreciated by coming in, after the deal is almost done, with a last-minute deal, as in “Just to thank you for considering this offer, let’s do this…”

And then you can follow with a special break on the price you just used to close the sale, put a buy- one-get-one-free deal on the reply card, or throw in a donation to a popular charity.

All will seem like more sweetener for the offer, but these too will increase the warm and fuzzy factor, helping your prospects to feel appreciated.

And here’s one more…

7) HONOR LOYALTY – Ever since credit cards, airlines, and donut shops started rewarding repeat customers with visit stamps and reward points, the customer loyalty program has become ubiquitous. And this is a good thing.

But there are lots of other ways you can also thank customers for coming back. For instance, my main client once invited long-time customers to a gala party. Out of this came special “reserve” and “alliance” clubs, with other perks for long-time members only.

If you can, put your long time customers on a special list and send them occasional notes. Create special services, either free or a good but paid deal, that come with special “club level” designations and VIP treatment. Give them a special hotline number for customer service, no waiting.

The point is, they’re family. Make them feel it.

I’ve got more of these ideas, which I’ll share with you in the next issue.

Meanwhile, let’s close with this: If you set out to try any of these, do it with the right mindset. And that mindset is, of course, gratitude.

Nothing sells better than sincerity. A “thanks” that’s delivered with only manipulation in mind is no “thanks” at all.

Okay, more coming in a week.

Until then, best wishes to you and yours for Thanksgiving if you celebrate it… and hey, the same wishes even if you don’t.

©2012 "Learn to Sell or Else...". All Rights Reserved.

This has almost nothing to do with copywriting, but if you don’t mind — and even if you do — I’m going to continue anyway, yes?

See, these days, you’ll already seen and heard some heartbreaking tributes to the Twin Towers and, well, all that. I’d like to kick in for a second with a slightly alternate point of view.

First, let me say that… 9/11 happened.

When it did, I was just as deep in the moment as anybody We were in Paris at the time. With the time difference, it was already afternoon when the news crackled in over an office radio.

My French wasn’t good enough yet to understand what my French colleagues were wide-eyed and crying about. But knew it was something big.

“Excuse me for asking, John” said Luc, sounding a little more than panicked, “but where is your wife?”

My wife had been singing New York on the night of September 9. Her flight out was in the early afternoon the next day. So by the time the time that last “normal” morning dawned on Europe, she was already sleeping off jet lag in our apartment.

A plane, he explained, has hit one of the World Trade Towers. And then, “I’m sorry to say, but another plane has hit again.” I don’t know if Luc even knew anybody in Manhattan, but he looked close to tears as the newscasts came pouring in.

Just two months earlier, we’d moved to Paris, from a rented apartment in the Manhattan’s West Village. We had friends worked in or near the Towers.

All escaped injury except for one, a childhood friend of my youngest sister, who worked in a financial firm on a high floor. I hadn’t seen her since she was a little girl, maybe five or six years old. But at 25, apparently she ran marathons, always smiled, and was considered an “angel” by her friends.

She never made it out of the building.

Over the next few days, we stayed glued to CNN. Less than two weeks later, we were back in New York and in our apartment — we shared it with a part-time sublet — cleaning caked-up ash from the air-conditioner filter.

My mother sent an email message. “We’ve crossed a bridge,” she said. And there was no way to go back to the way it was just one day earlier. Of course, I had no idea then how right she would prove to be.

Over the next few years, anniversaries of 9/11 came and went. So did the news coverage, replete with montages and music, the amateur videos, and the purple prose. Fear and anger rose and fell, but never quite faded, eventually lapsing into a dull ache that would not go away.

And now, I too am tempted to sift through my pictures from that time. I had some shots I’d taken while we were visiting — of “Still Missing” posters, of piles of flowers, and of the withering wreck at Ground Zero.

I found some.

But I found something else too. Other photos from that same year, and a growing sense that there was a lot else subsumed by the shadows of that event. Other things well worth remembering. And it seemed only right that the best tribute to getting on with life, as one should after any tragedy, was to draw those memories back up to the surface too.

For instance, it happens that 2001 was the same year I started the e-letter behind this website. And 2001 is the year my wife and I got married, too. We had a great wedding and a gorgeous Italian honeymoon. Months later, when we moved to Paris, armed with less than 10 words of French. But we made do.

On the more painful side, 2001 is the same year my wife lost her father. This was also not long after 9/11. We flew over in an almost empty airliner and went from the airport to his hospital bed, where he had gone into a coma after heart surgery. He died less than two hours later, surrounded by the family.

That same year, my father had been diagnosed with prostate cancer. It was too late for conventional surgery, the doctor told him. But my mother found a breakthrough new procedure online. With radioactive iodine seeds and computer-mapped blasts of radiation. Only one center in Atlanta performed it and he would have to move their for eight weeks. They did and it managed to buy him another 10 years.

In that time, he met all three of his grandchildren, took over a scholarship fund for fatherless boys in Philadelphia, and went on more than a few adventurous trips with my mother, including two visits to Paris. He stayed in touch with other patients in the center. Some didn’t survive as long. Others did. And today the procedure is a standard treatment.

It was spring of 2004 when our son was born. Our daughter followed two years later. We also added two more nieces and a nephew. Family members got married. And we took multiple great trips to London, Lisbon, Vienna, San Francisco, Barcelona and other places.

We made progress in French and made several friends in those same years. Tragically, we also said goodbye to two. (Cancer.) We learned enough of the language to get dangerous, but not enough that our bilingual don’t fail to correct us. Yet, somehow they still remain adorable.

In those ten years, I also wrote a few good promos, some books, and gave a lot of pretty good seminars. My income tripled and my savings grew tenfold. And we have, knock wood, stayed healthy.

But then, more terrible things happened too. From a heatwave that killed 40,000 in the EU… to the Boxing Day tsunami that killed over 200,000 in Asia… to earthquakes, Katrina, and two endless wars, the world took a beating. And we passed milestones of every shape and tenor.

One thing, though, you could not miss. That, while all tragedies remain tragedies, it was quickly clear that none exist in a vacuum, least of all 9/11. For awhile, it was the thing that sucked the life out of us. But now it seems different, like it’s life that’s overdue to absorb the event.

I say all this not to forget what happened. No doubt there’s pain that remains immediate to the 9/11 families. No doubt it’s altered the course of everything, in an infinitely more complex exercise of the butterfly effect.

But as we look back and dig into the photos and stories, as we re-open the old wounds, the question seems to present: at long last, is it time to place this one big memory in it’s space, relative to all those other things, rather than isolate it the way we have these year’s since?

Perhaps, I’m saying, it’s time to finish crossing that bridge; to step boldly, if greatly changed and more complicated, onto the other bank. Not to forget, but not to stop exploring whatever else there is.

©2012 "Learn to Sell or Else...". All Rights Reserved.

Study after study shows it, a good night’s sleep makes for a sharper, more productive mind. And yet, your average worker gets 6 hours and 55 minutes. With half of those saying they were doing work up until an hour before going to bed.

A badge of honor worth wearing?

Hardly. Those hard-working types, it turns out, are hardly working… or at least, hardly working at true capacity. Despite delusions to the contrary.

Scientists have yet to figure out how sleep restores your brain function. But they have no doubt that it does. So ye sleep-deprived, if we get a lot done now… imagine what we could accomplish well-rested.

Maybe because I’ve always been an undisciplined sleeper myself, I’ve both collected and written plenty about sleep and how it fits into a creative life calling.

Rather than try to thread them all together, let me just hit you with a burst of some of what I’ve got on hand…

* Per Popular Science, when you zonk out after just learning something, you’re more likely to wake up with an even stronger memory of what you learned than when you went to bed. Why? REM sleep, when your eyes are darting under your eyelids, somehow reinforces and sorts the information. And non-REM sleep gives your neurons a chance to repair a day’s worth of free-radical damage.

* Per the same article, go jogging. Not only does it lead to deeper sleep at night, which is just as key to whatever the brain does while you sleep, but it also builds brain cells faster. In one 1999 study, lab rats had double the number for new brain cells after running (no, I don’t know how they got the little sneakers on their little rat feet).

* In a 2004 study from the University of Luebeck in Germany, 106 volunteers showed they could do three times better on a simple test than those who had piled up LESS than 8 hours of sleep.

* Think TV helps you get to sleep? Maybe. But it might make your sleep less restful. Studies show television disrupts sleep even if you shut it off hours before your head hits the pillow.

* Go easy on workaholic behavior. Working until 10 pm every night might feel righteous and good, but it’s not only hard on family life, you deny your body time to ‘untighten.” Studies show disrupted sleep for those who work until they drop, no matter how nobly they manage to do so.

* That said, a 15-minute review of key work details is enough to get that “wake with the solution” result so many crave. Be sure to keep that notepad on your nightstand.

* Have trouble sleeping? Try the counter-intuitive. Like exercise in the morning. And loads of sunlight. Plus a short afternoon nap (emphasis on short: 10-15 minutes at lunch time is nothing to feel guilty about).

* Eat a protein breakfast. Yes, zero carbs. No toast. No bagel. Definitely not doughnuts, fruit juice, or anything with sugar. It will buy you an extra few hours. It may even get you through the day. You’ll be even better off if you do the same for lunch. Or skip lunch entirely and take a walk instead. Whatever you do, do NOT eat big in the middle of the day.

* In a real pinch, drink coffee but drink it right. Which means sipping it slowly — cold if you have to — on the hour or half hour. The longer you make the cup last, studies show the longer you can last. Not a substitute for sleep, but a fail-safe when you can’t get any.

* Forget, by the way, trying to make up for a week of not sleeping enough by “sleeping in” on the weekends. North of nine hours or more, it turns out, can make you just as tired and even age you just as fast as too little sleep.

Try this.

For one week, go to bed at 11 pm at the latest. Even if you have “lots to do.” And wake up when you wake, if you can, which should be around 6 am or 7 am. If you need to get up earlier, move the bedtime to 10 pm.

Then come back and tell me how you feel… and how much more productive you are.

©2012 "Learn to Sell or Else...". All Rights Reserved.

I’ve also given a few copy critiques, too. And I’ve discovered that when I’m on the handler side of the red pen, there’s one essential element to making those recommendations more effective: “ego butter.”

Let me back up.

Some years ago, I was part of a conference call with a freelance copywriter. He’d been commissioned for a small job, which was tweaking the lift letter on a much larger, longer control (one I’d written, in fact).

Leading the call was friend and mentor o’ mine, the inimitable Michael Masterson. The letter was, well, weak. Michael took control of the call and made a series of what I thought were brilliant suggestions. We all concurred, except for the freelancer.

After the critique was over, the receiving end of the call went conspicuously silent. “Hello?” we said, thinking he’d slipped on a kumquat or something equally plausible.

“Mail it,” he said. “Mail it and see if it works? Then I’ll revise it.” Clearly, he was peeved. Not, dear reader, the protocol of a copywriter seeking much repeat business.

This guy, no matter how slighted by the review, clearly lost his cool. And with that, he also lost a repeat client. It was really too bad, because I distinctly remember plenty of high-paying work to go around. With some guys, there’s nothing you can do. Their skin is so thin, you could pop it with a tossed marshmallow.

But here’s the thing…

While I despised that copywriter’s behavior, it does occur to me now that, at some level I couldn’t help but sympathize.

See, while not all copywriters are the egoists and temperamental “artistes” like this guy might have been, there are reasons why — if you’re on the critiquing side of a creative exchange — you might want to take the writer’s position into consideration.

First, remember we’re only human. Remember too that good copywriters put a lot of work goes into what they produce. They spend a lot of time with it too.

By the time we’re finished the first draft, we’re connected with the result. In such a way that criticism — even the good kind — can’t help but set one back at least a little bit.

Again, if you’re a great writer and a smart one, you’ll take even the sharpest comments with a smile. But on the flip side, if you really want results from a hired gun copywriter, there’s a step you could take to get much better results. And it won’t cost you a dime.

Very simply, start with the positive. Not excessively so, not insincerely. But clearly and immediately.

Example: “I liked the headline. And oh wow, the typing was nice. And hey, is this scented paper? Nice touch. Now, let’s talk about your lead. I think I see a way to make it even stronger.”

Okay, of course I’m kidding here.

The point is, if the copy is salvageable, there’s something in it you like. Don’t save it for last. Talk about it up front. You can be honest about the stuff you don’t like to. But lower the resistance to your suggestions first.

Is that pandering? Perhaps.

But ask yourself, in any situation alike this, what’s the goal of the critique? Is it your aim only To toughen the writer’s skin… or are you out to get the best possible copy you can get?

The latter, I’d assume.

©2012 "Learn to Sell or Else...". All Rights Reserved.

Even though I.Q. tests supposedly measure your brain power, there is still no “Creativity Quotient” (C.Q.) test that measures how creative you are.

But the same Scientific American research found that creative people often have similar character traits. See if any of these apply to you…

Ideational Fluency – Someone gives you a word. The more sentences, ideas, and associations you can match to that word, the more likely it is you’re a “creative type.”

Variety and Flexibility – Someone gives you an object, say a garden hose. How many different things can you do with it? The more you can think of, the better.

Original Problem Solving – Someone presents you with a puzzle or a problem. Beyond the conventional solution, how many other workable but uncommon solutions can you come up with?

Elaboration – How far can you carry an idea? That is, once you have it, can you build on it until you can actually carry it out in application?

Problem Sensitivity – When someone presents you with a problem, how many challenges related to that problem can you identify? More importantly, can you zero in on the core or most important challenge?

Redefinition – Take a look at the same problem. Can you find a way to look at it in a completely different light?

How did you measure up?

©2012 "Learn to Sell or Else...". All Rights Reserved.

Strategy was key. So was equipment.

But the real mettle of the moment came from the soldiers staging the invasion.

This included, naturally, pilots who had to navigate a sky thick with German anti-aircraft fire.

Long before the invasion, military strategists knew this would happen. They also knew they needed top-notch fliers.

At first, they tried using intelligence tests to pick candidates. But intelligence alone as an indicator turned out to be useless in determining which pilots would be inventive enough, in a tight situation, not just to save themselves but also to save their airplanes.

Creative cognitive ability, it turned out, was only partly connected with smarts. Around the same time, a psychologist from the University of Southern California identified the crucial difference between convergent and divergent thinking.

Convergent thinking is the kind we’re used to on I.Q. tests and in math and science textbooks. It’s a way to find the single, logical, and usually most orthodox solution to a problem.

Divergent thinking, on the other hand, is more widely cast. It searches many routes, finds many solutions, and then might settle on one or the other depending on what the situation dictates.

The best fighter pilots, not so surprisingly, were those more adept at divergent thinking. When the context required, creative survival tactics prevailed.

So if it’s not IQ that matters, what is it that makes one person a convergent thinker and another person a divergent or more creative thinker?

Another study reported in Scientific American relates the story of a 43-year old art teacher in San Francisco. For most of her life, she had been a painter. She even took a job teaching art later in life.

But suddenly, she could no longer do her job. Lesson plans confused her. She couldn’t grade projects. When she could no longer remember her student’s names, she retired and took her troubles to a neurologist.

He did a brain scan and found dementia damage to her frontal and temporal lobes, mostly on the left side of her brain.

The teacher gradually lost some speech abilities. She also lost some control of herself in social situations, both of which are common with this kind of neuron damage.

But something else happened.

As her inhibitions in public waned, her creative powers grew. Her art grew more prolific, emotional, and expressive.

The neurologist dug deep into research on the disorder and found others who also had new bursts of creativity after the damage had set in, even in some who had never before been artistic or considered themselves “creative” before.

What’s this mean? No, I’m not saying that a little brain damage is something to hope for if you want to up your creativity.

But I’m sure you heard, by now, you’ve heard that there are “right-brained” and “left-brained” people. The idea is that “left-brained” people are the type you’d expect to find at, say, your accounting firm’s Christmas party.

“Right-brained” people, on the other hand, tend to be more artistic and possibly a little eccentric or scattered. Like, say, the bulk of ex-poets and actors working the tables at your local coffee shop.

Like most generalizations, this isn’t quite right.

While many of us have a bias in either creative or rational powers, the fact is that most people have both halves of their brain kicking into gear most of the time.

On the left-side, we’re processing details and performing convergent thinking. On the right side, we’re applying abstract associations between details, the work of divergent thinking.

Stroke patients who lose power on the left side of their brains tend to lose logic and language, but may suddenly become more creative. Patients who suffer right-side damage may be seem creative but also might seem more uninhibited or scattered.

The good news is that both left and right brain can work together to produce a result that’s both logical AND creative.

Take Einstein. Certainly, he had incredible powers of logic and process. He did the math, just as it had been done before he came along. But he also made the leap to creativity, finding new mathematical associations nobody else had recognized before.

Here’s the better news…

While few of us want a touch of neuron damage… and almost none of us, surely, were born an Einstein…

There actually ARE ways you can increase your creative function. And many of them simply have to do with channeling the filtering function of your left-brain.

One very simple way is just to keep reminding yourself to approach most moments in your life with curiosity.

Another is to consistently reset your attitudes toward convention. That is, simply repeat to yourself that the way things have always been done is not necessarily the way the always have to be done.

There there’s what researchers call “detail fermentation.” That’s a fancy way of saying, “do your homework.” It’s also the explanation I typically give when I tell people I don’t believe in “writer’s block.”

That is, when you fill your mind with facts and data and details relevant to the ideas you’re trying to create, the more likely you are to succeed at creating them.

Somehow, satisfying the left brain’s hunger for logic and process first… allows it to relax and let the right brain step in to find the overall creative associations between those details.

Einstein did this while searching for “E=MC2.” For years, he studied not just physics and mathematics, but astronomy and philosophy and other fields too.

So the next time you’re feeling like a failure creatively, before you give up try this tapping into this technique instead: Stop, drop, and study.

Dig into the facts and materials you have to work with. Then, and only then, see if the bigger and better ideas come.

©2012 "Learn to Sell or Else...". All Rights Reserved.

Most often, when the testimonial itself just plain stinks.

For instance…

When it’s emotionally unsatisfying and vague:
“I found your book very useful.”

When it’s too gushy:
“I love your book! It’s the best one I’ve ever read! The exclamation point on my keyboard is stuck!!!”

When it’s too polished or pretentious:
“We delight in your intrepid and yet profitable handling of territory so treacherous as options investing.”

When you’ve used stock photos instead of real ones:
(Rule of thumb: Most of your customers probably do NOT have bleached teeth or airbrushed faces. And most of them do not wear t-shirts that have been pressed and dry-cleaned before the photo shoot either.)

When they’re a legal risk or just plain fake:
“I’ve secretly used this investment newsletter to pick stocks for years. I’d be working at McDonald’s without it.” – Warren Buffet, Omaha.

Or when the customer seems too embarrassed to sign it:
“I like your stuff, really I do. – Anonymous”

We could go on finding many ways testimonials won’t do what you want them to do. But how about how to make sure you get good testimonials and use the properly?

Here’s a truism based on experience:

Good products, first and foremost, are the better your chances of getting good testimonials. But even then, you need to identify the person on the team that’s got enough passion for the product to cull and archive a strong testimonial file. This could be the product manager, but more likely, they’re getting their best stuff from the front lines. That is, from the people who deal most directly with the customers.

Don’t be afraid to ask customer service if you can look at their letters or if they’ve seen something good. Often the good stuff is buried in letters asking support questions.

If the company is going to do surveys, make sure they leave room for open-ended questions at the end. And if they’ve done surveys already, look for ones where you can follow up to get enthusiastic customers to elaborate. A day of phone calls to buyers can pay off with testimonials you’ll use for years.

If the company corresponds via emails or an online customer forum (and who doesn’t these days?), ask if it’s okay to follow up with buyers electronically. Or better, ask the product manager to follow up, since replies to their requests might sound more natural (customers have a tendency to fancy-up their praise when they find out it’s going to go in a sales letter.)

Bottom line: There’s no way to get good testimonials without applying a little elbow-grease and a little creative harvesting.

That said, copywriting legend John Caples had a tip. Try running a testimonial-gathering contest. Caples liked to give customers a chance to fill in the following line:

“Finish this sentence in 25 words or less: I like (name of product) because…”

And in return, he would offer every participant a small prize.

Here’s another great idea, based on an insight from friend Michael Masterson, over at www.earltytorise.com: “Ask them what their life was like before they got your product… what their life is like now… and, specifically, how your product helped them make that change.”

Good ideas, don’t you think?

©2012 "Learn to Sell or Else...". All Rights Reserved.

You’ll remember from the last post, I’m showing you guys some of the raw material for a book on six types of leads.

And we’ve been looking at what my co-author Michael Masterson and I call the “Promise Lead.”

Admittedly, this is a tough one.

Why, you ask?

(Don’t look at me all confused like that… I HEARD you ask something… right?)

After all, don’t ALL sales leads have a promise implied inside them somewhere?

Yes, they do.

And we said as much last week.

But haven’t pure, flat-out promises been so overexposed in sales leads that the world is chock-a-block with skeptics who no longer hear said promises anymore?

Yes, that too is true. Well, mostly true.

My take on that last point is this: First, Promise Leads work very well with a certain kind of customer.

No, dear reader, not the stupid ones.

They work best, rather, with a prospect that’s sitting on the fence… ready to buy, but still awaiting that last nudge.

Any more ready, and you’d just hit them with a juicy “Offer Lead,” right out of the gate.

Any less ready, and you’d try something a little more subtle first, so as to shut down those filters we all wear to guard against an onslaught of too-much-the-same, unbelievable messages.

But in those moments, with an almost-ready prospect, busting through the saloon doors armed with a big promise can be an excellent choice.

So this week, let’s pick up where we left off.

Again, this is raw stuff… fresh out of the oven, not yet dressed for the table. Proceed at your own risk…

How a Promise Made This Candy Famous

When writing a Promise Lead, where should you start?

The default for most marketers is to study the product and just figure out what it can do best. We’ve all heard, after all, the lesson about “features” versus “benefits.” First you make a list of the products best features, and then you translate those into what they will do for the customer.

Simple.

It’s a lesson you may have heard connected before with one of the most successful product pitches in history. Forrest E. Mars grew up in candy maker’s house. And with some big shoes to fill. His father’s home business grew to invent and sell some of the world’s most famous candy bars, including Snickers, Mars Bars, and Milky Ways.

But Forrest’s father didn’t want to expand the business and Forrest, fresh home from Yale University, did. So he sold his share in the business back to Dad and moved to Europe. That’s where he took up with other candy makers.

It’s also where he first spotted the breakthrough that would help change the chocolate business, the course of World War II, and millions of kids’ birthday parties — and indirectly, the advertising industry.

It was a tiny pellet of chocolate, wrapped in a candy shell, found in the field kits of soldiers fighting the Spanish Civil War. The chocolate gave them quick energy, the shell kept it from melting under harsh conditions.

We know it now, of course, as the M&M.

Forrest took it back to the States and patented his own formula for the candy in 1941. Within a year, the U.S. was committed to World War II. And not long after, M&Ms made their way into soldiers’ field rations. When the soldiers came home, the candies were a hit with the general public.

But sales were about to get even bigger.

Forrest realized that television — making it’s way into the mainstream at that time — was the next place he wanted to go to sell M&Ms. He hired a copywriter named Rosser Reeves to do it. It turned out to be another groundbreaking move.

Reeves, at the time, was already a success. He was both copy chief and vice president of his agency in New York. But when he sat down with Forrest Mars to talk candy, he listened and took notes like a first-year copywriter.

“He was the one who said it,” claimed Reeves in the version we’ve heard told. “He told me the whole history and then I pressed him and he said, ‘Well, the thing is they only melt in your mouth, but they don’t melt in your hands.’”

That was all Reeves needed.

Within four years, Mars was selling one million pounds of M&Ms per week. M&Ms have since gone on Space Shuttle flights with astronauts. They’ve been the official candy of the Olympics. And according to Business Week, they’re the best-selling candy in the world.

Mars died at ate 95 in 1999, with a $4 billion fortune. And his candy company takes in over $20 billion per year, with 30,000 employees worldwide.

It’s no accident that Reeves went on to his own kind of fame. And not just because Reeves happens to be the real-life model for the character of Don Draper on TV’s series, Mad Men.

You might know him even better, after all, as the father of what every copy cub and professional advertiser memorizes as the “Unique Selling Proposition” or “U.S.P.”

To Find the Promise, Find This First…

When Reeves first wrote about it the U.S.P. in his book Reality in Advertising, he was writing down the formula you can use to write any effective Promise Lead.

Reeves formula had three parts.

The first part, for Reeves, also meant starting with the product. And only if that product was actually good enough to almost sell itself. As a preacher’s son, Reeves was fundamentally honest and felt all advertising should be too. The product must be able to do what you’ll say it can do.

But an even better reason for starting with the product is the second part of Reeve’s formula. What the product does and by default will claim to do has to be original. That is, the best products do something competitors won’t or can’t. That’s key because the U.S.P. — the promise you’ll make — has to sound and feel different from everything your prospect has heard before, too.

Then there’s the final part of Reeve’s formula. This is the one most forgotten, but it’s impossible to overlook if you’ve got any hope of coming up with a powerful promise. Every promise must target your prospect’s core desire. That is, they have to already want what you’re promising.

This is worth repeating.

Reeves believed, and so do we, that you can’t create desire in a customer. You can only awaken what’s already there. This is especially true in a pure Promise Lead, where you have nothing but the claim pulling all the weight. The more tightly you can target those core desires, the more likely your ad will work.

It’s that simple.

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©2012 "Learn to Sell or Else...". All Rights Reserved.